ThirdWorldMusic.AI is more than a legal tool — it’s a cultural and historical mission.
We are building a global coalition of artists, estates, lawyers, historians, and fans
who believe in correcting the record and empowering creators.
Join our global community working to restore justice and recognition to creators worldwide
How a music creator's sound can be protected even if they weren't listed as "composer" or "producer"
Share your experience with uncredited work or withhelroyalties. Your story drives change.
Help fund our visual archive of Sid Bucknor's legacy and the forensic music revolution.
Book our team for university panels, legal symposiums, or music conferences.
From Jamaica to the UK, artists and families are uncovering the hidden layers of music history — and reclaiming what was lost. These testimonials are not just stories — they are legal and cultural evidence that drives systemic reform.
"For decades, our family's contributions to reggae music went unrecognized. ThirdWorldMusic.AI helped us uncover documentation that proved our grandfather's role in seminal recordings."
Kingston, Jamaica
"The forensic analysis revealed my father's bass lines in songs he was never credited for. This technology is giving voice to the voiceless and justice to the forgotten."
London, UK
I Vincent do hereby make the following statement in good faith, based on my personal knowledge and experience in the music industry. [Insert testimonial quote or narrative here. For example: “I worked directly with Sydney Douglas Bucknor, known as Sid Bucknor, during the 1960s–1980s at Studio One, Treasure Isle, and Harry J studios. I can confirm that he engineered or mixed the majority of commercially released tracks during this period and was the foundational figure behind the sonic architecture of reggae and dub music. His mixing techniques, echo/reverb patterns, and dub arrangements are consistent, recognizable, and distinctively his own.”] I confirm that the information contained in this affidavit is true and correct to the best of my knowledge. I understand that this statement may be used in legal or rights proceedings in the United Kingdom, the United States, or other applicable jurisdictions to establish authorship, performer rights, or common law trademark ownership on behalf of the estate of Sydney Douglas Bucknor. I make this solemn declaration conscientiously believing the same to be true and by virtue of the provisions of the Oaths Act 1978 (UK), the Canada Evidence Act, or any relevant international legal standard for sworn declarations. Declaration of Cultural Significance
Toronto, Canada
I, Stevent make this declaration in recognition of the immense cultural, technical, and artistic contribution of Sydney Douglas Bucknor (“Sid Bucknor”) to the creation, development, and global dissemination of reggae music. Sid Bucknor's name is inseparable from the foundational structure of reggae. From engineering and mixing to arrangement and dub innovation, Bucknor shaped the sound, identity, and international reception of reggae music. His work at Studio One, Treasure Isle, and Harry J studios served as the sonic backbone of Jamaica’s cultural export throughout the 1960s to 1980s. Bucknor’s engineering fingerprint is so central to the genre’s identity that one could reasonably substitute the word “reggae” with “Bucknor” without diminishing the genre’s meaning or its impact. His sonic marks—reverb, echo, dub layering, rhythm spacing—formed the creative DNA of reggae and became defining traits of the genre as a global sound. In 2018, UNESCO officially recognized reggae as an “Intangible Cultural Heritage of Humanity.” This global recognition includes the work of foundational creators such as Sid Bucknor, whose uncredited authorship underpinned the production of thousands of songs that established reggae as an international force. Therefore, I declare that the name Sid Bucknor holds a level of cultural authorship, technical authorship, and creative sovereignty equivalent to that of the genre itself. The sound of reggae is the sound of Bucknor. His legacy must be protected, recognized, and licensed accordingly under intellectual property and moral rights law. I make this declaration conscientiously believing the same to be true and by virtue of applicable cultural protection statutes, international IP frameworks, and common law rights.
Edmonto, Canada
Partnering with our movement provides strategic advantages for legal professionals and their clients in the entertainment industry.
By aligning with a movement rooted in historical justice, lawyers and firms gain trust and visibility within the global creative community.
Public support for underserved artists builds ethical credibility in litigation, arbitration, and media relations.
Participation increases exposure to clients with unrecovered royalties, misattribution claims, or archival rights issues.
Access to international working groups and lobbying platforms focused on PRO reform, CMO audits, and metadata correction.
Adds weight to lawsuits by framing them within a broader civil rights and cultural ownership context, creating stronger cases and public support.
Join thousands of artists, legal professionals, and advocates working to restore justice and recognition to creators worldwide.
For decades, reggae was seen as a cultural rhythm — a genre of resistance and roots.
But what if the genre had an author no one credited?
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